I was first introduced to the writing of Linda
McCullough Moore when her short story, “On My Own Way Now,” appeared in the
April, 2014, issue of The Sun Magazine. I was so taken by it, and blessed by
it, that I investigated her published writing further and besides being published
in many magazines and journals learned that she has a book of short stories
entitled, “This Road Will Take Us Closer To The Moon.” It is a book of 14
stories that, as with “On My Own Way Now,” I feel blessed by.
From some brief email correspondence I learned from
Ms. Moore that she is deeply Christian which puts her work in the same frame
for me as Flannery O'Connor and like Flannery O'Connor, Ms. Moore does not shy
away from the dark side of life but entering this world of suffering is able to
bring our attention to the absurdity and incongruity of the lives we have
created, often hellish in tone, on the ego plane. Reading Moore’s stories I
laugh and cry and realize once again, and then again that there has to be a
better way. It is in this realization that there must be a better way that Moore’s
stories prod us to a more spiritual awareness, a desire to be better people
than we are.
In the first story, “That’s a fact” Moore tells the
story through the eyes of probably a 10 or 11 year old girl in 1955 about the
time her family goes to visit neighbors at Christmas time who are German
immigrants having come to the United States after World War II. The German
father teaches at a local college while the narrator’s father sells cars. The
Germans extol the virtues and benefits of life in the United States while the
narrator’s father finally shares what he really thinks and feels about his
life. Here is a short excerpt of how Moore writes the scene:
“I am a scientist at university,” the husband says. “The
world is open for us now.”
“Well, good for you, buddy.” My father’s voice could
knock down soldiers. “I didn’t finish high school.” He addresses his remarks to
the shoelace he pulls between two fingers. “And let me tell you, my friend,
your life is pretty rotten when you got no education in this country, and a
wife and three kids and a fourth on the way.”
I snap my head around and catch my mother’s eye, but
she is looking at her lap. My sister grimaces, and shrugs don’t look at me, I didn’t do it.” pp. 4-5
Moore describes class in America and how it feels on
the street. Even immigrants with a better education have it better than home
grown Americans without an education, and this discrepancy is perceived and
understood by a child watching her parents interact with this German family at
Christmas time.
The title of Moore’s story “That’s a fact” refers to
the juxtaposition of what the 10 year old narrator reads in her Weekly Reader at school and what she
experiences in her real life. The title of the story, “That’s a fact,” is irony
at its best.
The narrator in Moore’s story tells us, “I read a story in the
newspaper about a family in Germany who were so poor they ate candle wax. You
won’t find that in the Weekly Reader.
The paper said that the family died of poisoning. They boiled needles from a
yew tree to make broth.”p.5
We get the sense through the narration of this young
girl that there are two worlds: the official one, the supposedly official one,
described in the Weekly Reader, and the real one where people struggle, suffer,
and die.
Rev. Galen Guengerich has written that the ethical
imperative of Unitarian Universalism could be gratitude, but it is hard for
broken people, suffering people, struggling people to feel gratitude. That
brokenness, struggle, and suffering has to be recognized, acknowledged, and
addressed before people can move to gratitude. The young narrator of this story
realizes, even at her young age of supposed innocence and naiveté, that the “facts”
she is reading in her Weekly Reader
and the pretense that her family tries to project outside of the house is not
really real. There is a clear appreciation that people live in a dream of
pretentious wishing while the deeper reality is uglier, more painful, and
frightening. And Moore, in the title of her story, writes, That’s A Fact.